Ebook-Download Sputnik Sweetheart, by Haruki Murakami
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Sputnik Sweetheart, by Haruki Murakami
Ebook-Download Sputnik Sweetheart, by Haruki Murakami
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Pressestimmen
"Sputnik Sweetheart has touched me deeper and pushed me further than anything I've read in a long time" (Julie Myerson Guardian)"How does Murakami manage to make poetry while writing of contemporary life and emotions? I am weak-kneed with admiration" (Independent on Sunday)"A beautiful novel, as light as a feather, and yet enduringly sad... a captivating book from one of the world's most interesting authors" (Sunday Herald)"Murakami has been compared to everyone from Raymond Carver to Raymond Chandler - which should tell you only one thing: he's unique" (Independent)"Confirms Murakami as a master of his craft... Out of this world" (Time Out)
Synopsis
Twenty two year old, Sumire is in love for the first time with a woman seventeen years her senior. But, whereas Miu is a glamorous and successful older woman with a taste for classical music and fine wine, Sumire is an aspiring writer who dresses in an oversized second hand coat and heavy boots like a character in a Jack Kerouac novel. Surprised that she might, after all, be a lesbian, Sumire spends hours on the phone talking to her best friend, K about the big questions in life: what is sexual desire and should she ever tell Miu how she feels about her? K, a primary school teacher, is used to answering questions, but what he most wants to say to Sumire is "I love you." He consoles himself by having an affair with the mother of one of his pupils. But, when a desperate Miu calls him out of the blue from a sunny Greek island and asks for his help, he soon discovers that all is not as it seems and something very strange has happened to Sumire.
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 240 Seiten
Verlag: Vintage; Auflage: New ed (3. Oktober 2002)
Sprache: Englisch
ISBN-10: 0099448475
ISBN-13: 978-0099448471
Größe und/oder Gewicht:
12,9 x 1,5 x 19,8 cm
Durchschnittliche Kundenbewertung:
4.0 von 5 Sternen
11 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 18.769 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
J'ai adoré cette histoire comme beaucoup d'autres histoires du même auteur! Je suis un fan de Haruki Murakami. On se laisse transporter par ces histoires si éloignées de notre réalité quotidienne.
… but certainly not Murakami's best either (to me that would be IQ84). Too many questions remain when the reading is done.
Für Murakami Fans oder die, die es werden wollen ;) eine außergewöhnliche Geschichte über Liebe und die Suche nach sich selbst
Lively and entertaining book full of minor dramatic scenes and quasi-philosophical observations, gradually turning into high drama. It is mainly about chaotic Sumire (22), whose sole passion is to write the ultimate novel and who has never felt any sexual desire. Until she meets Miu (38), a married Korean-Japanese ex-pianist, now businesswoman, who transforms her into a non-smoking, perfectly-dressed and competent personal secretary. The person recording it all is an unnamed male person, K (24), a fellow student whom Sumire trusts and loves above anyone else, calling him at all hours to discuss music, books and life until dawn. K is keenly attracted to her physically, but knows a pass would spoil their bond forever.This reader (m) is an amateur re HM, having read only a handful of his novels. Here, the lighter parts read like Milan Kundera, the name dropping of foreign brands more like Bret Easton Ellis or Jay McInerney; the vast knowledge of pop, jazz and classical music is strictly HM’s own. The novel ups tempo when K in Tokyo receives a call from Greece from Miu. Could he please rush to a small island near Rhodes? Why? Because Sumire has disappeared, as if gone up in smoke…What happens next is for readers to find out. This reader is of the recreational type, not keen on explaining philosophical or supernatural matters. However, one theme is the utter loneliness of every soul on earth and beyond, symbolized by the dog Laika viewing the earth briefly in 1957 from the SU Sputnik satellite. Another is Japanese upbringing and schooling: the little shoplifter in Ch 15 might now be a “hikikomori†a stayer-with-parents, adult Japanese rejectionists of real life not found in such great numbers elsewhere. But his teacher K. may have saved him just in time…When finished I realized that even the most innocent remark, image or anecdote, returned later in a different context. Parallel worlds, time warps, stellar dark holes like deep wells in which a character pines for release, are ideas and images Murakami elegantly hogties with more mundane writing, creating a unique worldview. Diehard (f?) fans will grab it all at once, or reread it again and again, while playing all the musical pieces with the right performers, accessed via Google and YouTube. Found one minus point: Sumire’s early attempts at defining herself. Too woolly for recreational readers. Otherwise, engrossing and worth re-reading.
"'Don't you just love it?' she said.'Every day you stand on top of a mountain, make a 360-degree sweep...And that's it. You're done for the day. The rest of the time you can read, write, whatever you want... That's the life! Compared with that, studying literature in college is like chomping down on the bitter end of a cucumber.' 'OK,'I said,'but someday you'll have to come down off the mountain.' As usual, my practical, humdrum opinions didn't faze her.""'Sexual desire's not something you understand,'I said, giving my usual middle-of-the-road opinion. 'It's just there.' She scrutinized me for a while, like I was some machine run by a heretofore unheard-of-power source. Losing interest, she stared up at the ceiling, and the conversation petered out. No use talking to him about that, she must have decided."I really like Murakami for his description of the chemistry between people; how they seem not to understand each other but on a deeper level they are closely linked. What a nice counterposition to everyday-life, where we so often believe to understand but in reality we are lightyears away from each other. He describes honest and deep feelings which otherwise seem impossible in this cold world.It's not his best book (Wind-Up-bird-chronicle is the one), but still it's better by far than 99% of what is being produced by all the rest these days.BTW:the book-cover of the vintage-edition is horribly stupid... but it's the cheapest...
das ist mein drittes buch von murakami (gefährliche geliebte, norwegian wood) und ich wollte dem autor noch eine chance geben. aber irgenwie packen mich seine geschichten nicht so und ich finde keinen zugang. man kann sie melancholisch, nachdenklich, tiefgründig nennen, aber irgenwie fehlt mir das salz in der suppe. die charaktäre ziehen mich nicht in ihren bann. manche stellen aus sputnik sweetheart waren ganz schön zu lesen, besonderns die passage in griechenland. aber am ende war ich doch wieder enttäuscht und lasse es jetzt endgültig bleiben mit weiteren murakamis.
Murakami's 'Sputnik Sweetheart' easily captures the feelings of loss and longing, easily depicting the everyday incidents of estrangement we experience in the wake of our desires not to be alone or with that someone special. The settings and plot lines may be repetitive but it is the thoughts and dreams of the characters Murakami depicts that matter and make beautiful even the trivial. Nonetheless, it is hard to shake that feeling of recognising certain phrases or ideas from another place within the book, not always to the enhancement of effect. The other weakness of the novel is its translation: the syntax in quite a number of places appears rather awkward and sometimes the choice of words is technically possibly but stylistically unfortunate. I enjoyed reading the novel the first time and having just re-read it I found quite a number of further places that put into words a tiny aspect of my life. Still I wish Murakami would employ his humour a little more often as I find it quite appealing. On the whole the novel is easily accessible (something I can't say of 'The Wind-Up Bird Chronicle'), so I guess it's a good point from which to venture into Murakami.
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