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This Is Orson Welles
PDF-Download This Is Orson Welles
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Amazon.de
In 1992, the first publication of This Is Orson Welles brought a priceless document to light. In the late '60s and early '70s, filmmaker Peter Bogdanovich had conducted extensive interviews with Welles, but a number of circumstances--including the director's decision to compose an autobiography that he never got around to writing--kept the interviews out of the public eye. Edited and annotated by Jonathan Rosenbaum, these conversations give wonderful insights into Welles's craft and personality. He discusses his forays into acting, producing, and writing as well as directing, his confidences and insecurities, and his plans for film projects that were either never made or only partially completed. He also offers insights into the triumph of Citizen Kane and later masterpieces like The Lady from Shanghai, Touch of Evil, Othello, and Chimes at Midnight. His defense of his controversial adaptation of Kafka's The Trial is so fascinating that readers might want to rush out and rent the film. While the book is worth owning just for this 322-page interview, it is also full of other material that is equally revealing. Rosenbaum presents a meticulous chronology of Welles's life, closely following his day-to-day activities from his birth in 1915 to his death in 1985. Anyone who thinks that Welles was an essentially lazy and profligate artist will be astonished at how hard he worked and how much he accomplished, even after the completion of Citizen Kane. Another treat found in the book is a detailed description--complete with rare photographic stills--of the original Magnificent Ambersons, Welles's impressive follow-up to Kane, which can now be seen only in a tragically truncated version. This 1998 reissue of the volume contains a fond new introduction by Bogdanovich and another crucial piece of Welles minutia, excerpts from his 58-page memo to Universal Pictures about the editing of Touch of Evil. Forty years after its composition, the material in this memo has been used to create a restored "director's cut" of the film. With such grand material between two covers, This Is Orson Welles is the most informative and entertaining book available on one of the 20th century's greatest artists. --Raphael Shargel
Synopsis
Innovative film and theater director, radio producer, actor, writer, painter, narrator, and magician, Orson Welles (19151985) was the last true Renaissance man of the twentieth century. From such great radio works as "War of the Worlds" to his cinematic masterpieces Citizen Kane, The Magnificent Ambersons, Othello, Macbeth, Touch of Evil, and Chimes at Midnight, Welles was a master storyteller, as expansive as he was enigmatic. This Is Orson Welles, a collection of penetrating and witty conversations between Welles and Peter Bogdanovich, includes insights into Welles's radio, theater, film, and television work; Hollywood producers, directors, and stars; and almost everything else, from acting to magic, literature to comic strips, bullfighters to gangsters. Now including Welles's revealing memo to Universal about his artistic intentions for Touch of Evil, (of which the "director's edition" was released in Fall 1998) this book, which Welles ultimately considered his autobiography, is a masterpiece as unique and engaging as the best of his works.
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 592 Seiten
Verlag: DaCapo Press; Auflage: Da Capo Press (1. März 1998)
Sprache: Englisch
ISBN-10: 030680834X
ISBN-13: 978-0306808340
Größe und/oder Gewicht:
20,4 x 12,9 x 3,4 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
2 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 24.379 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Peter Bogdanovich's interviews with Orson Welles demonstrate (although it was probably not his intention) that his subject was a "monstre sacré", but not a genius. He tries to deny Pauline Kael's thesis ("Raising Kane") where the famous film critic made clear, that the real author of Citizen Kane's screenplay was Herman Mankiewicz and not Welles. But as the pages go on, Bogdanovich's interviews painfully describe the errors of a "boy-wonder" who could have been almost everything, if he had not been Orson Welles. Most of his films, sometimes made with his own money, after he had been banned by all American studios, were not finished, or mutilated, because he made them too long, or was not present when cuttings were asked. One has the feeling of some kind of self destructive behavior, even more painful as we realize how gifted, and talented an author, director, and actor he was. This book is a must for anybody who wants to try to find some answers about an extraordinary career (including "Citizen Kane", "Touch of Evil", "The Third Man") with even more failed or destroyed dreams. The best quote of the book: Peter Bogdanovich: And you don't love theatre anymore? Orson Welles: I love empty theatres. For explanations, refer to page 3 of 'This is Orson Welles".
Some have criticized this book, which Welles felt was the definitive word on his films, by stating that it never deals with Orson's children or his failed marriages. That has nothing to do with what this book is about. If you are looking for a biography then look elsewhere. This is Orson Welles talking about his films and his life in film and what he was trying to do and say. When I finished reading I knew that for once Welles was getting the final word on his films and that what he said was honest. If you want to really know him as an artist I would strongly recommend reading this book. It's a very fast read even though it's crammed full of insights. As a bonus it also contains the shooting script for Magnificent Ambersons which would have exceeded Citizen Kane in its beauty if RKO hadn't cut it to shreds. I strongly recommend this book.
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